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Marathi koligeet song 2012
Marathi koligeet song 2012









marathi koligeet song 2012

  • It is music for everyone, everything and every occasion! General participation is encouraged to such an extent in the process of making music that there is a near absence of audience as a separate entity.
  • Folk music responds to three cycles in nature - cycle of life and death, cycle of day and night, cycle of seasons.
  • It involved combination of singing, dancing and playing instruments.
  • marathi koligeet song 2012

    Kehrawa (4 beats), Dadra (6 beats), Jalad Deepchandi/ Chachar (7 beats), etc. Rhythms add the liveliness in songs and also encourage one to repeat or hum it for long time. Most of the primitive songs use three-four notes of female and male voice which are, in a way, consonances in first-forth or first-fifth note (Shadja-Madhyam or Shadja-Pancham Samwaad, together forming an octave later in folk music.

  • In the primary phase, music was essentially diatonic or triton.
  • Ranade in his book on ethnomusicology describes the features of primitive and folk music as following.
  • Ravindranath Tagore - The music created by masses in excitable way shaping the melodies in expressive language.ĭr Ashok D.
  • Kunjbihari Das - Folk music is the music away from the classes and elite etiquettes, the songs depicting the luster of rustic beauty. Satyendra - The songs expressing the mindscape of masses are folk music. Sarojini Babar - The music of common people, peasants, farmers, village occupational, folks, masses adorned with beautifully simple melodies and rhythms, interesting poetry depicting the nature and human mind. Ranade - The music of people, by people and for people is folk music. Many musicologists and thinkers have defined folk music in various ways, such as.











    Marathi koligeet song 2012